What makes words arranged on a page serve as a poem? Over the centuries, poets and critics have spoken of poetry as prospective (as opposed to retrospective), as generating openness, suggestiveness, connotative implication, ambiguity, and—as poet Scott Cairns has said—recognizing the poem as a scene of meaning-making, rather than merely a document of meaning made.
In this, his tenth and perhaps final book of poems, Paul Mariani—acclaimed poet, biographer, critic and teacher—reflects on his life, returning in memory to the 1940s and ending some eighty-five years later with the present. No wonder, then, that so many of the poems strike an elegiac note, some with humor, some with sadness, some with wonder, some with regret—and all asking questions for which there are at best only further questions.
W.H. Auden said about poetry: “there is only one thing / that all poetry must do; it must praise all it can for being / and for happening.” For forty years, Robert Cording’s poems have sought to praise a world that need not be, but is. His poems embrace what cannot be changed: that living brings us face-to-face with suffering and injustice, beauty and grace.
The capstone of a distinguished literary career, James Baldwin Smoking a Cigarette and Other Poems is Baron Wormser’s eleventh book of poetry. It speaks to matters that have haunted and obsessed the author for a lifetime—especially the ways that a finite poem can intersect with the infinitude of being.
“Do not hurry your journey,” the poet says midway through this stunning collection. “Better if it lasts for years, so you arrive / laden with all you’ve lost along the way.” Bonnie Naradzay’s journey—as mother, professional, teacher, and longtime volunteer, leading poetry sessions in prisons, a retirement community, and among the homeless—has gathered much of both the lost and found, culminating in the publication of Invited to the Feast, a collection of poems and literary debut coming in her eightieth year.
In his eighteenth collection of poetry, Eric Pankey continues his forty-year investigation into how and what one can know in this world and beyond it. The poet, Jane Hirshfield, says about his poetry, “Eric Pankey is a poet of precise observation and startling particularities.”
Written during the first three “Covid Years,” For Now, We Have Been Spared is a collection of complex sequences and carefully constructed shorter poems that reflect the uncertainty of living through a pandemic—not only in terms of the immediate threats to the body, but also the tectonic shifts in how we perceive the nature of existence itself.
According to T.R. Hummer, “Stephen Haven is a poet of incisive discipline deployed in the service of a passionate, humanistic ethos.” His poems reflect “concern for humanity, and concern for language, humanity’s best hope.” The poems in Haven’s new collection, The Flight from Meaning, have been shaped by—and serve as responses to—an American predilection for violence, spectacle, and distraction—the ways they flatten and diminish our experience of the world.
Citing a line from Elizabeth Bishop—“The bight is littered with old correspondences”—Scott Cairns avers: “So, also, is my mind.”
Matters for You Alone is a spiritual exploration of friendship: its shapes and duties, stresses and blames—and its absolute necessity. The book takes its title from Jean-Pierre de Caussade’s classic, Abandonment to Divine Providence, as it strives to interpret everyday encounters and events—the domestic, the mundane—in light of the eternal.
In the opening poem of Matthew Porto’s dazzling debut collection, we hear the voice of the recurring angel figure for the first time, commanding us to “Get used to the light.” That light—blinding, mysterious, unsettling, but occasionally illuminating—shows up again and again in Porto’s taut, elegant poems.
Searching for Home, Robert Pack’s splendid twenty-second collection of poems, written largely during his last year of life, centers on the search for meaning.
“Olga Sedakova is a writer of global significance. . .the publishing of this collection is a welcome stage in the reception of her exceptional genius in the West.” So writes Rowan Williams in his foreword to this translation of Old Songs.
With the rise of anti-Semitism, extremism, political polarization, mass shootings, the fraying of Black-Jewish-Asian alliances, and the loss of personal connections during the age of Covid, where is God, and how can we find the joy and wonder in our lives? How do we come to terms with loss? How can art and language help us to cope with life and honor the dead?
Register now for the online book launch of Robert Cording’s In the Unwalled City. Robert Cording will read from the book, engage in a discussion of the book with Slant editor Gregory Wolfe, and answer your questions. September 13, 2022, 8 pm Eastern, 7 pm Central, 5 pm Pacific. Via Zoom.
Register now for the book launch of Paul Mariani’s “All That Will be New” with special guests National Book Award-winner Martin Espada and Angelo Alaimo O’Donnell. June 14, 2022, 8 pm Eastern, 7 pm Central, 5 pm Pacific. Via Zoom. Register now!
In the poem that opens this, his ninth collection, one of our most celebrated men of letters contemplates the “primordial tensions” felt in the crashing waves of a Northeaster, the glory and terror of the storm as “the real comes crashing finally down on you.”
California poet Karen An-hwei Lee, inspired by Virgil, has created her own dense, richly-layered collection of “Neo-Georgics,” constituting an extended exploration of such motifs as happiness, olive groves, vineyards, soil chemistries, the seacoast, and the birth of trees.
From California coastal redwoods to giant sequoias in the Sierra, from practical jokes of adolescence to unexpected epiphanies marking an academic career, the many poems in Somewhere to Follow range through the life of a poet on the lookout for what comes next.
The poems in John Pleimann’s Come Shivering to Collect live and move and have their being in a world that is both twilit and sacred. Speakers wrestle with memory’s power to obsess and distort, to haunt, and to evoke. They discover that life mocks happiness, and the only thing sacred is to be vulnerable.