The Broken Bond of Eden: Q&A with Claude Wilkinson

“I view my tie to the South in general, and particularly to Mississippi, in a sense more akin to the much broader citizenry exercised in Derek Walcott’s poems. Of course, his work explores and expresses his West Indian heritage, but the poetry itself never seems bound to, or limited by, any circumstance of geography.”

Milton’s Scribe: Q&A with Thom Satterlee

“At one point, toward the end of the book, he tallies up his many lies and calls himself ‘God’s Liar.’ It’s unclear what he means by that title. Does he think of himself as having some sort of divine license to lie? Is he lying on God’s behalf, or with God’s approval? I’m not sure he knows why he calls himself ‘God’s Liar.'”

Outlaws and Outsiders: Q&A with Ron Hansen

“I tend to write about outlaws and outsiders, people who don’t fit in, who resist standard types and conventions. Many people in the arts seem to feel in a grandiose way unlike the so-called “common herd,” though I suspect everyone feels uncommon and just making-do.”