Birdwatching with Robert Frost

I never intended to get Frost’s birds by heart. For some months I’d been memorizing various of Frost’s lyric poems, moving from one to the next without agenda, allowing my taste for Frost’s wit and craft to guide me. But before I knew it, there they were, his birds, some named, some not: quiet, without fanfare, easy to miss, almost wanting to be missed.

Further up the Slope

I’ve been reading Cleanth Brooks’ 1947 classic The Well Wrought Urn: Studies in the Structure of Poetry,one of the key works that in the post-World War II decades established “close reading” as the main pedagogical tool for understanding poetry as a unified whole (rather than an artfully coded record of attitudes requiring historical and biographical translation).