Maybe one of the most Catholic things about Kirstin Valdez Quade’s novel The Five Wounds is the overall feeling you may have watching these characters stumbling through their lives that obtaining happiness is not the point of those lives. Loving is the point. And loving means self-sacrifice. One thing that is incredibly hard to sacrifice is the idol.
In some ways, Christian literature has for two millennia been seeking and finding new ways to tell the Gospel Story. You can see it in the Arthur Story and other fantasy fiction. Even a great modernist poet like David Jones has little else for material than the Mass, or the sacrifice it is understood to recreate.
I am describing Gene Wolfe’s magnum opus, the epic ‘science-fantasy’ known altogether as the Solar Cycle, for the series which comprise it are called The Book of the New Sun (with its sequel The Urth of the New Sun), The Book of the Long Sun, and The Book of the Short Sun. Of these, I have read only the first four novels (the top two volumes of my pile), the Book of the New Sun.
Tarjei Vesaas’s final book fascinates me more than the others because of its form. It is a series of images—as I have just used the term, these moments of consciousness-in-place that become character-defining—a kaleidoscope of them (that word means a sequence of beautiful images)…but do they add up to a story? If so, what or whose story?
What I’ve realized since my son’s birthday is that Rachel Carson’s Under the Sea Wind did for me something like what I hope the books I bought for my sons will do for them someday: or it is the adult version of it, the fantasy that is like yet unlike that of the child. How does Carson accomplish this transfiguration of the natural world?
Stories do not end. The teller of the tale falls silent. If the telling is done well, we feel we’ve truly seen into the world where fiction occurs, and when the teller of the tale falls silent we sense that the story goes on, just as it extends back further than we perceive before the teller began the tale.
My mother read mysteries by American authors, but I have never been interested in mysteries set elsewhere than in England. The best of all such mysteries, in my opinion, and perhaps the one that best justifies my feeling for the genre, is the one that I have just re-read, Sayers’s finest work, The Nine Tailors.
Entry for the twenty-eighth Day in the eleventh Month of the Year that Disease and Mania overspread the World
I have become friends with a White Pine. Go up the Hill from my house, through the Neighborhood, and as you descend again toward the valley that holds the Highway you come to a triangle of undeveloped land. A path runs through this Little Woods, opening onto the underpass, and there, on the other side of the Highway, you can climb again into the Larger Woods that grow on the hills over the River and fill its bottomlands.
The desire that is typical of Blues—from which Bob Dylan draws so much of the spirit of his music as well as actual phrases—is the same we find in the prophets. The Lord God is a jealous and often a jilted lover.
I’ve been spending Covidtide cycling as much as possible. The mental rhythm of riding is calming, contemplative. Something gets in my head and I just keep turning it over. Since June 19th it’s been Bob Dylan’s new album, Rough and Rowdy Ways, released on that date.