COMING SOON! With humor, anger, and tenderness, Richard Michelson’s poems explore the boundaries between the personal and the political—and the deep connections between history and memory.

In the poem that opens this, his ninth collection, one of our most celebrated men of letters contemplates the “primordial tensions” felt in the crashing waves of a Northeaster, the glory and terror of the storm as “the real comes crashing finally down on you.” Contemplating as we all must the unrelenting passing of time and the harsh realities of history, Paul Mariani embodies the filmmaker Akira Kurosawa’s dictum that “the artist is the one who does not look away.”

The poems in John Pleimann’s Come Shivering to Collect live and move and have their being in a world that is both twilit and sacred. Speakers wrestle with memory’s power to obsess and distort, to haunt, and to evoke. They discover that life mocks happiness, and the only thing sacred is to be vulnerable.

In its variety and generosity, Into the New World fashions poem-sized meeting places that invite us to be less divided from one another, less alone.

“Love took the words right out of my mouth.” So begins the first line of Christopher Jane Corkery’s poignant and unforgettable new collection of poems.

The lyric poems in Daye Phillippo’s radiant debut collection Thunderhead explore faith, motherhood, family, and community. As the author has put it, she has lived her life “backwards,” first raising a large family, then going back to school, and only now seeing her work find its way into print.

World Without End, Claude Wilkinson’s fourth poetry collection, takes its title from the last words of the Gloria Patri. But the preceding words—“as it was in the beginning, is now and ever shall be”— also echo the book’s overarching theme: the seemingly infinite spiritual implications woven throughout our experience in the natural world.

Forty years as a poet has kept Robert Cording looking at the details of everyday experience, at what Richard Wilbur called the “hunks and colors of the world.” That long labor has brought him face-to-face with the inescapable (and inscrutable) complexity of a world that is full of suffering and injustice. And grace.

In monastic life, the first hour of daily prayers, Matins, roused the community to wake up. Wisely, the second hour was Lauds, which means praise—praise with that freshly awakened consciousness. In this way, such an attitude toward the world, seen and unseen, could be absorbed before breakfast.

The definitive, authorized selection of Thompson’s best work, revealing to a wider public the literary vision of a “lost master.”

With Ordinary Time, his eighth collection, the distinguished poet and biographer Paul Mariani shares a vision of the world in which the sacred and the quotidian mingle, sometimes quietly and sometimes with revelatory force.