PRE-ORDER NOW! What happens when expectations about how life will unfold—rather traditional ones, as it happens—are disrupted by a restless soul that insists on continually re-writing the script?
| Hardcover | ISBN 9781639822409 | $36.00 |
| Paperback | ISBN 9781639822393 | $19.00 |
| eBook | ISBN 9781639822416 | $12.99 |
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What happens when expectations about how life will unfold—rather traditional ones, as it happens—are disrupted by a restless soul that insists on continually re-writing the script?
Carnaval follows a young woman as she moves away from the life she once imagined into one shaped by travel, art, and mystery. Many of the poems gathered here were inspired by regular trips to Mexico while others recall her childhood, especially working in the garden with her father. The streets and markets of Mexican cities, Vermeer’s Woman Holding a Balance, Zapotec weavings, the films of Werner Herzog, the ritual sacrifice of goats in Oaxaca, tequila and sangrita, orchids, Frida Kahlo’s Naturaleza Muerta, and a rural vegetable garden gather here, reflecting a vision of life that is at once sensuous, searching, and unsettled.
Moving fluidly between inherited form and contemporary lyric, Susan L. Miller’s poems bring formal intelligence to bear on questions of faith, desire, and the sources of true freedom. She brings together the vivid, the hidden, the sacred, and the profane, weaving music and language into a tilma etched with the image of the Empress of the Americas.
Soundtracked by Celia Cruz, Edith Piaf, Nick Drake, Chavela Vargas, Wilco, Enrico Caruso, Frank Sinatra, and Spanish Marian hymns, and inspired by the photographs of Graciela Iturbide, this collection conjures the joy and the melancholy—the sacramental and the anarchic—spirit that lies at the heart of carnaval.
What a consummate poet Susan L. Miller is. The poems in Carnaval allow their own grounding in the specificity and physicality of body and place to open into the dark and bright interiors of loss, discovery, and recognition. Through the dark passages, a fugitive shine, the “light / that this life affords”: a seven-day candle guttering, “one morning silvering.” And present here too, is a light that can’t be seen (“Obviously you can’t see / the wings on your back”) but which swings and pulses in the music of Miller’s lines. Get ready: you will meet in these poems “a mind that turns this world / over and over, cultivating it / until something blooms so suddenly / it overtakes the garden.” Or put it this way: “she’s seen/ the silvered back of everything.” And lucky, lucky us: reading these poems, we do too.
Jean Gallagher, author of Rivermouth Shouting
Susan Miller’s Carnaval is a festival of flora and fauna, color and language. Her poems transform the everyday, the mundane, into the wonderful, the worthy. Traversing between her (at least) two worlds, Miller’s poetry records a way of seeing, her voracious ojo the bridge between who and where she is and who and where she remembers being.
Evie Shockley, author of suddenly we